Daniel Milnor is a documentary fine-art photographer based in Costa Mesa, California and Santa Fe, New Mexico. He was born into a ranching family and grew up in places like rural Indiana, Wyoming and Texas and received a degree in Photojournalism from The University of Texas in Austin, where he also worked on the award winning student newspaper The Daily Texan. His professional career really began when he accepted a three-month internship at The Arizona Republic in Phoenix, the state’s largest, all color daily but ended up staying almost two years, before he left to pursue magazine photography.
Milnor has also worked as a photographer specialist for the Eastman Kodak Company. He has photographed earthquakes, political conventions, civil unrest, super bowls, Khmer Rouge defectors, the NBA Finals and former presidents Bush and Clinton. He has been published in Life Magazine, People Magazine, Black & White, Camera Arts and Discovery among others. He has taught at Art Center College of Design in Pasadena, The Julia Dean Workshops in Los Angeles, and the Santa Fe Workshops in New Mexico. His current work includes private commission children’s portraits as well as ongoing projects about life in Paradise America, Sicilian Easter, Oahu’s North Shore, Nevada’s Extraterrestrial Highway and “Dog’s Can’t Read,” a look into canines and graffiti in four cities around the world. Milner is a consultant for Blurb, Inc., a digital, print on demand, book publisher based in San Francisco.
Adam L. Weintraub is a photographer based in Seattle. His Photoexperience.net workshops combine inspiring artists which offer insight and collaboration in an intimate setting. Removed from Cusco's tourist section, his B&B plays host to the class, overlooking the Cusco valley and offering respite from the masses. He is currently coordinating efforts to create a permanent archive and catalogue of the famed Peruvian photographer, Martin Chambi. He has been President of Blue Earth Alliance since 2004 and is widely published, collected, hired and admired for his personal work.
